Tuesday 7 May 2013

EVALUATION


Now that my Final Major Project is complete it is time to reflect and evaluate my work from the last few months, concentrating on my performance and the physical outcome of my project, discussing what was successful about these factors, and any challenges faced throughout the project process.
When it came to writing our Major Project Proposals and deciding what we were going to do for the largest, and most important part of our degree, I knew I would have to choose something that I was going to enjoy working on for such a long period of time, and it would have to be a project that was going to show off my strongest skills. I started to look back on all of my previous work from the first and second years of my degree and thought about which projects I had enjoyed the most and performed best in, these being the Gothic Horror unit and the Interpreting Narrative unit. I have always seen myself in the television, film and theatre side of the makeup industry and I clearly excel in character makeup as opposed to fashion makeup. This made my decision to do my very own ‘Interpreting Narrative’ style project a lot easier, to create a series of character makeup for my Final Major Project.
I decided that I wanted to create a book as my final outcome of the project; the book would be to document my makeup designs through photo shoots for a series of characters from a novel. The decision to create a book was heavily influenced by me attending a book launch party when researching for my dissertation earlier in the year and seeing all the work that went into it to have something physical to keep forever at the end of it and give out to friends, family and potential industry contacts.
It took me some time to source a book to base my project around. Firstly, I thought of finding a wartime story so that I would have lots of strong background research. But, because of having to make sure that my project is relevant in today’s industry, I began thinking about what has been popular in recent times in regards to film adaptations of books, the most popular have been fantasy stories such as the Harry Potter and Twilight series and most recently the start of The Hunger Games series. After many recommendations I came across the book The Night Circus by Erin Morgenstern. It is a recent book, only published in 2011, and from the reviews, it has proven to be vastly popular with the Harry Potter audience, which generally starts with children of around 11 or 12 years old and then becomes loved by their parents and younger or older siblings as well.
One of my first tasks after setting myself a brief and beginning the project, was to find out what books already existed that were similar to the type of book I intended to create. I found many film visual accompaniment books aimed at either children or film enthusiasts so I knew there was a place for my project in the industry. I took inspiration from several books including The Twilight Saga: New Moon The Official Illustrated Movie Companion by Mark Cotta Vaz and Moulin Rouge: The Splendid Illustrated Book That Charts the Journey of Baz Luhrmann's Motion Picture.

One of the biggest challenges of my project, a prediction I had made in my proposal, was the sourcing of models, particularly as 3 of my 4 main characters were male. It was for this reason that with the help of my tutor I had to decide on a particular focus for my book. I decided I wanted the book to be a platform for my character makeup skills, so I chose to section my book into chapters on each of the 4 principle characters from the story, rather than telling the whole story continuously through imagery. Shooting one character at a time would eliminate the issue of several models and my photographer not being available at the same time, this plan proved to be wise as my photographer works most evenings and does not get her work schedule until the end of each week which made booking photography studios even more challenging.
The bookings of the university photography studios, was another challenging aspect of this project. When I started needing to book studio space I was unaware that you could only book studios 2 weeks in advance and for several weeks every time I tried to book space every slot was full with people booking 8 hour studio slots, which was unnecessary and greedy as half of the time the studios were not being used for the whole day. I eventually overcame this problem and used studio space that people could no longer use because of various cancellations of models and photographers, as well as finding out when the new booking forms were posted in the studio booking office and ensuring I was there first thing in the morning to book my own space. The difficulty booking studio space and models lead to the challenging aspect of the project that I ended up having to shoot my entire project over the Easter break and in the first week of the summer term, leaving no time for re-shooting as planned in my original production schedule.

Throughout my Final Major Project production I have encountered some personal troubles that were getting in the way of my work at one point, but support from my tutor helped me to put everything in perspective and remain calm and positive to move forward with my work successfully.
Discussed in detail in my reflective journal is the biggest threat to my project. Unfortunately, the university made a mistake and cancelled studio space I had booked for Good Friday 2 weeks prior, as the studios were going to be closed that day. I made every effort to rectify this major set back and planned a location shoot, so as not to waste the opportunity of having my photographer and model booked. However, after booking out lighting and hiring costumes my model let me down on the day of the shoot. There was not a lot else I could do after failing to find a replacement model at such short notice but to reschedule the shoot for after the Easter holidays. This worried me as it was leaving it very late to prepare the content of my book.
Towards the end of my project I did some work experience at the Barbican in London and although it took me away from my project work for a week, the skills I learned whilst there gave me the time management skills and the confidence to perform to the best of my ability for my 2 rescheduled shoots and all the final processes of putting together my book.
One of the biggest factors of this unit is to encourage independent learning and I will admit that there were some times when I struggled with this, for example, the bookings of studios, which I had never done until this project, and the bookings of several models. I regret to say that I did not attend every tutorial, in hindsight this was obviously a bad decision as when I did go and receive feedback, particularly in the run up to sending my book off to print, the advice I received I have taken on board and it has, in my opinion, vastly improved my work. Up until the Easter break I was struggling with my time management and had long strayed from my original production schedule. I feel that this was all due to a lack of confidence in myself and my abilities. After Easter however, I became more focused and have been working non-stop every day meeting set daily and weekly targets, and for this I am proud of what I have managed to achieve in a short space of time.
I went ahead with the printing company Blurb.com as stated in my proposal, as I already knew of them and my photographer had used them on many occasions and always been happy with the result. Sadly when I received my printed books both copies have a cutting error, a fault of Blurb and not myself as my InDesign file was checked over several times by several people including I.T technicians. You could argue that I should have researched other printing companies and had tests done, but myself and my photographer trusted Blurb and any tests sent to us could have been perfect and it is simply an error that only occurred on the day of printing my final copies. Apart from this small error I am extremely happy with the quality of my book in regards to the size, cover, paper type and printing quality and it is amazing to see all of my hard work finally put together it physical form.

I have more or less stuck to everything I proposed to do when setting myself my brief in my proposal. I have successfully produced a professional standard book recording my photo shoots showing my interpretation of the 4 principle characters from Erin Morgenstern’s 2011 novel The Night Circus. I feel with anything there is always room from improvement and if I was to attempt this project again I would definitely be much more organised and have more confidence in myself. There is the potential to develop my project further by creating the makeup for more of the characters from the story and putting a modern, more artistic twist on the looks already created. It has been a lot of hard work but I feel after much stress it has all been worth it.

Week 16

Today is submission day! I have submitted my book at the hatch and just have a couple of bits to finish on my reflective journal before the online submission tonight.
And so this is my final post.


Wednesday 1 May 2013

Week 15 - IT'S HERE

My book has arrived earlier than expected and just as well, because I am not 100% happy with it. When producing my InDesign file, I personally checked again and again that every image was in the right format and went right up to the bleed line and so did Brent and yet down the edge of every page there is a thin white line that should not be there. I am assuming that it is a cutting error, it may be a printing error, but either way it is a fault of my printers and not myself.
In a panic I came up with a backup plan. Firstly I went to see my tutor straight away and he assured me not to stress about it as it is obviously not my fault, contact my printers (which I have done although they do not have a direct contact number and have yet to respond to my email, and I doubt I would get another copy sent to me in time for the deadline as they are an overseas company), I can submit it as it is but with a small note on it explaining that it is a fault of the printers and had been checked and checked again before going to print. You could argue that I should have researched into other printing companies or had a first draft sent to me before my final submission copy but myself and my photographer have used Blurb.com in the past and never had any problems with them and even if I had a draft copy made the draft could have come printed perfectly and this fault still could have happened with my final copy with no time to rectify it.



Because I was so disappointed with this fault I went to a local printers in Southampton where a lot of my course mates are getting their books and magazines printed. Unfortunately they do not print books of my size (12x12) and they said that the cover, paper type and printing quality were of such a high standard they were not even sure they could do anything to match what I already had. They suggested that I just trimmed the edges to get rid of the white lines. I ran this idea past my tutor as I was not sure about it and he agreed with me that trimming the edges would be too risky. So I will submit it as it is with a note explaining the problem for it to be taken into consideration when marking.

This week I have also completed 6 shoots for my portfolio and have a further 4 shoots doing makeup for 4 of the Fashion Design students who are shooting their final collections on Friday.

Tuesday 23 April 2013

FINALLY

I have finally sent my book off to Blurb.com for it to be printed. I have ordered 2 copies, one to submit and one to keep for myself, with the extra shipping cost to get it back to be quickly I have spent a total of £137 on my book order. My book will be a Large Square 12x12, Hard Black Linen cover, with a Dust jacket and Black end sheets with 50 pages of Premium Lustre paper. I should have my book back to me by next Thursday at the latest. It is such a relief to finally have it out of my hands to have time to catch up on my reflective blog, get my evaluation underway and prepare for my portfolio construction submission, which I have to admit I have neglected while coming to the end of my FMP.

I have heard that somebody failed their Portfolio Construction unit last year for having low quality images in her portfolio, this had made me realise that since having my laptop stolen before Christmas I no longer have any high quality copies of any of my previous work and so I am going to need to do some more shoots to have enough images to submit and it is always better to have new work to show, also with all of my FMP shoots being character makeup I need a variety of other types of makeup to go in my portfolio so myself and Melissa Bush have decided to collaborate and do 6 shoots together next week. We will get together and plan each look and decide who will do the hair and who will do the makeup for each.

Week 14

I took on board all of the advice from my tutor and made the necessary changes over the weekend and I am so glad I received that feedback and took the weekend to make changes, because I am so much more happy with my book layout now. I don't know why I wasn't more creative with my layout in the first place. Here are some of the changes I have made to my pages before the quotes and extracts have been entered:









Images with quotes



Title Page (same as cover) and Acknowledgements


Introduction and Character Title




Friday 19 April 2013

Week 13

I had originally hoped to have my book ready to send off for print this Wednesday. However, I had not planned to still be shooting last week and had not accounted for how long editing would take. I had then hoped to have my book ready to send off today, this again has not happened. But I have received a quote for shipping prices and delivery dates from my printers and if I pay and extra £10 postage and packaging charge the I can send my book off on Monday or even Tuesday and get it back even quicker than if I had sent it on Wednesday and paid the cheaper postage. It is more than worth the extra money to be able to spend the weekend making sure that everything is perfect before sending off to print. This last week I have been editing and creating my page layouts.
I saw my tutor for the first time since before the Easter break and showed him my page mock ups so as to get his opinion before I sent it off to print.






The feedback from my tutor was that some of my images were quite weak because of my lack of confidence when shooting, but not having time to re-shoot anything I would need to be more creative with my page layouts and more selective with the imagery. For example the images on the 2 double page spreads below are all very similar and so do not show character development like they should. My tutor suggested I make some changes such as zooming right in and cropping just the character's eyes or only showing half of the character's face really close up to make it more interesting. I loved these ideas and plan on getting straight onto rectifying my mistakes. In a way it is a good thing that I was not ready to send my book off to print on Wednesday otherwise I may not have gained this vital feedback and would not have made the changes that will hopefully make my book more successful.



Saturday 13 April 2013

Celia Shoot




Finally it was time to shoot the character of Celia which was supposed to happen on Good Friday but didn't go ahead for a number of reasons. In a way I preferred shooting it now so that I could apply the skills I had learned at the Barbican internship. What I learned there was to work quickly which worked on this shoot as I had 3 looks to do and my model and photographer had work that evening. I also applied the hair techniques I learned at the Barbican, as the story is set in the Victorian era I put into practice influences from the Victorian hairstyle of having it tall at the front and top and pulled back at the sides like their dresses would have been. I also curled the hair to suit the descriptions of the character. I am feeling so much more confident after my run on The Salon Project and as this shoot was supposed to go ahead 2 weeks ago I was more than prepared for it. My model was fantastic. She had amazing skin and bone structure and hardly needed any guidance when it came to posing once she had seen my mood board and I had told her about the character. I am very proud of these images and my makeup skills on this shoot.

Prospero Shoot






After my experience at the Barbican I was a lot more confident with this shoot. I had 3 strong varied looks planned out, a confident model and great costume. I am extremely happy with how the beard and moustache turned out, I feel they look very realistic and suit the character. I felt more confident about trying to portray the different moods and appearances of this character. The best shots were the shots where we threw the top hat into the air and captured it on camera to look as though the character was levitating it as he is an amazing magician. Definitely my best shoot to date and I am proud of the images.

Wednesday 10 April 2013

PROSPERO THE ENCHANTER






 






Black velvet cape lined with shockingly white silk cascading behind him

Tailcoat… Waistcoat hangs unbuttoned over his lace-edged shirt… Top hat which featured prominently in his performance sits on a hat stand nearby

The man appeared younger on stage, his age buried under the glare of the footlights and layers of makeup

The face in the mirror is lined, the hair significantly greying. But there is something youthful in the grin

The announcement in the paper states that Hector Bowen, better known as Prospero The Enchanter, entertainer and stage magician of great renown, dies of heart failure in his home on the fifteenth of march

The figure hovering by the window turns. Where the sunlight hits him he is all but invisible. Part of a shoulder appears to be missing, the top of his head vanishes in a flutter of sun-caught dust. The rest of him is transparent, like a reflection

What is left of Hector Bowen reads the note and laughs delightedly

“Though perhaps he is better known as Prospero the Enchanter”

“Absolutely brilliant, completely mesmerized every audience. Never seen anyone to match him, never”

Tuesday 9 April 2013

Week 12

After my week at the Barbican I have a lot of catching up to do to get myself back on track. I got back to Southampton very late on Monday night after the show had finished and so I missed my FMP tutorial. Tuesday morning I went straight in to Brent's I.T session and remained there all day editing the images I already have and starting on my page layouts. I have my final 2 shoots to do this week, at last. First will be my shoot for the character of Prospero The Enchanter on Wednesday and Thursday I will try once again to shoot the character of Celia. While at the Barbican I worked out that to get my book printed and sent back to me in time for the deadline, I will need to have it completed and sent off by next Wednesday 17th April, which does not leave me very much time to put it all together. Fingers crossed these final shoots go without a glitch.

Sunday 7 April 2013

Week 11

This week I have been in London doing an internship at the Barbican, working on a show called The Salon Project, put on by Scottish company Untitled Projects, part of the Barbican's SPILL Festival.
It was not a normal theatre show, it was immersive theatre in that the audience was the main feature of the show, a recreation of the popular social gatherings of 19th Century Paris.
The vision of director Stewart Laing, the audience (roughly 60 people per night. 20 people every half hour - 6:30pm, 7:00pm, 7:30pm), enter backstage where they are immediately swept away to get transformed into period costume (10 people to dressing first, 10 to hair and makeup and then swapped over). After half an hour of getting pampered, poked and prodded they enter The Salon where Laing plays host, and along with guest speakers and Barbican workers as guides (all in period costume), provokes conversation about the future, with drinks and music being played throughout the night it seemed like such a fun experience. The show running from 4th-14th April.
Us interns had a full training day on the 2nd April where we were shown around and taught several different period hairstyles and the signature makeup look created by the show's costume designer. All makeup was provided by the show but we had to bring our own brushes every night. With costumes ranging from Georgian, Edwardian, Victorian and 1920's, the makeup look for everybody was a pale base and a wine stained lip, with some eyebrow definition and eyeshadow as appropriate to the person's wishes, outfit and face. This basic look went well with all of the costumes regardless of the era.
With the hair we were taught a style to represent each of the eras of costumes. We were told if the client already had a well cut and styled modern style just to leave it as it is as they were all for the contrast between the old and new, otherwise to create all of the styles we learned it required a lot of volume to the hair and with a maximum of only 15 minutes per client there was no time to curl the hair to create this volume so a lot of backcombing and hairspray was required. We learned that Edwardian and Georgian dresses were big and came out at the sides and so the hair would match with the styles the head makeup artist called the mock bob and the onion. Whereas Victorian dresses were narrow at the sides and came out at the back and so the hair would match being tall at the top but scraped back at the sides with the styles called the poodle/the elvis and the top knot. The 1920's hairstyle was the classic finger wave at the front of the hair with the rest being sleek and neat.
Taking a week out of uni work to do this internship has set me back slightly with my project work but I am so glad I have done it, it has been the best experience I ever could have received. I feel I have learned so much here in regards to hair styling, proper industry work and working to a strict time frame each night. I have 2 shoots remaining when I get back to Southampton this week and I feel very confident about them after this experience, I will definitely be taking lots of what I have learned here on board with my final shoots.
Here are some images from the show nights I worked on:






Friday 29 March 2013

DISASTER 2

Day of location shoot.
Despite working extremely hard to overcome the set back from not being able to use my booked studio space, spending money on costume hire and trying to be as confident and prepared as possible, the morning of the shoot has arrived and my model has cancelled! I am at a loss as to what to do now, this is going to be a big set back for my project as I am going home to London on Sunday to do an internship at the Barbican until term begins again. My photographer and I have been frantically trying to find a replacement model but being such short notice and being Good Friday we have had no luck so far and it's not looking likely that we will find anyone. So now the only solution to this disaster of a shoot is to shoot this character in the studios on the 11th April when I am back from the Barbican. It could be very risky relying on this model again so for now I plan to give her the benefit of the doubt, but in the meantime I am going to get on to finding a backup model incase she lets us down again. Overall a very disappointing week.

Thursday 28 March 2013

Remaining Positive...

After talking over the plans for Friday with my photographer, she thinks it best to just get shots on location as the weather is forecast to be dry, although it will be very cold, (I will make sure to bring plenty of warm things for my model to wrap up in for moments when we are not shooting). I have cancelled the lighting kit that I had booked for hire. I am trying to remain positive about the situation, although I had imagined a certain look for my book that was to have all the shoots looking the same, with studio lighting and a plain black back drop, the feedback from my Major Project Proposal Report said not to rule out location shoots for narrative projects and it would be a shame to waste the day that both my photographer and model are available. So I have collected the costumes I have chosen to hire from Hepwright's and have organised with the owner of the bar Oasis, down near the Old Town, to use Oasis as our base for makeup touch ups and costume changes, ready to go ahead with what will probably be a very cold location shoot tomorrow.

Tuesday 26 March 2013

DISASTER

I was feeling very prepared and finally confident about my next shoot for the character of Celia. I have my model and photographer ready and excited for the day and costumes on hold for hire. 
Today I received a phone call from the photography studio bookings office at university informing me that I would not be able to use my studio booking for Friday as it is Good Friday and the whole university is closed for the Easter weekend, despite the fact that I booked this studio space 2 weeks in advance, surely they must have known the university was going to be closed and never should have allowed bookings for this day. This is extremely bad a frustrating news and could prove to be a major set back to the production of my project. The university have offered to try and fit me in at some point on Thursday because there is likely to be cancellations or no shows but this is not a guarantee and my model and photographer both have work on Thursday.
My plan of action is to try and remain clam and positive to find a solution to this problem. My plan at the moment is to not waste the opportunity of having my model and photographer available and willing and get something out of Friday. I have white walls in my flat so I am going to go and hire a basic lighting kit to try and get some head shots at least at home and I have discussed with my photographer and we have agreed that, weather permitting, we will get some location shots done in the parks and down near the Old Town, as my story is set in the Victorian era and the rest of the city is quite modern looking. 

Monday 25 March 2013

CELIA


Dark eyes narrow beneath her curls

All ribbons and lace, perfect as a shop-fresh doll save for a few unruly curls escaping her braids

Celia grows up in a series of theatres. Most of them in New York

Sixteen year old daughter

After months of it she is exhausted from the travel and the strain and the fact that her father barely lets her eat, as he claims looking like a waif makes her seem more convincing

Survived by a daughter of seventeen years of age, a Miss Celia Bowen

“I am already married” she remarks to the empty air, twisting the ring on her right hand that covers an old distinctive scar

She has no trunk, no cape, no birdcage or cane. She is dressed in a deep-green gown with a black puffed-sleeve jacket buttoned over it. A pile of brown curls is pinned neatly upon her head under a tiny and feathered but otherwise unremarkable black hat

“I am an illusionist, sir” the young girl says. Her voice is calm and low “I am here for your auditions”

Her Green gown is both sleeveless and strapless, leaving her shoulders and arms completely bare save for a long silver chain with what appears to be a silver locket around her neck

Creeping Black fade into snow-bright white at the bottom of the skirt

Celia shakes her head and her brown curls deepen in hue to a near black as glossy and ebony as the wings of her raven

Puffed sleeve Black jacket

“she’s perfect” Chandresh remarks, pulling a cigar from his pocket. “Absolutely perfect”

The eyes the loveliness – the shape of her face, the contrast of her hair against her skin


Hired clothing from Hepwright's...


Victorian style dress from the 1970's

Black and White theme. Victorian style shirt from 1970's